Composer

Based on his success in vaudeville, Miller began writing and publishing his music in the 1920s and became part of the Chicago jazz sounds and Tin Pan Alley.^[6] Before long, his songs were recorded by Victor Records (acquired by RCA Victor), the Virginians' "Why Should I Cry Over You?" in 1922, the Paul Whiteman Orchestra in 1923, and the Jean Goldkette Orchestra in 1926.^[7] In 1926, when Jule Styne was only 17 years old and beginning his career, Styne collaborated with Ned Miller, Chester Conn, and Benny Krueger on "Sunday" which became an instant hit and the first best-selling song for Styne. "Sunday" also became a parlor song, popularly sung by friends and family gathering around the piano for entertainment. Art Tatum included the song in a collection of his Parlor Songs. Al Jolson liked the song so much that he helped promote it.^[8] "Sunday" later became the theme song for the 1940s radio show of husband and wife team Alice Faye and Phil Harris.The song charted three times in 1927.^[9] Cliff Edwards (Ukulele Ike) took it to number three: Gene Austin (the "Voice of the Southland") took it to number 11 accompanied by pianist Abel Baer; and the vaudeville singing trio, the Keller Sisters and Lynch, recorded "Sunday" with the Jean Goldkette Orchestra where their version rose to number 11.^[10] "Sunday," has been performed regularly by a wide variety of noted jazz musicians. Many saxophonists have recorded it: Lester Young, Lee Konitz, and John Coltrane; Ben Webster on two occasions with fellow saxists Gerry Mulligan and Don Byas; Harry Allen with the John Pizzarelli Trio; and Stan Getz with the Oscar Peterson Trio. Other recordings include vibraphonist Red Norvo; trumpeter Sweets Edison; pianists Fats Waller and Hank Jones; and vocalists Maxine Sullivan, Johnny Hartman, Carmen McRae, June Christy, Nat King Cole, Carol Sloane and the Buddy Rich Ensemble.^[11] The multi-Grammy winning vocal quartet, The Manhattan Transfer, closed each episode of their weekly television variety show with the song, "Sunday."^[12][13][14]

In addition to "Sunday" and "Why Should I Cry Over You", Mr. Miller wrote hundreds of songs during his lifetime, including "Heartbreaker" (©1933), "Kentucky Lullaby", "Don't Mind The Rain", "What Will You Do", "You Don't Like It—Not Much", "Sicilian Tarantella", and many others.^{[15][16][17][18][19][20][21]}

Jack Benny also collaborated with Ned Miller on several compositions and recordings. For example, in 1922, Jack Benny recorded "Why Should I Cry Over You" in 1922 and co-wrote the song, "You're Sweet That Way", in 1962. In 1976, Irving Fein, Jack Benny's manager and producer, interviewed Mr. Miller for the book Jack Benny: an Intimate Portrait, where he described their lifelong friendship and artistic collaborations.^[22]

Actor

In addition to his music, Miller also worked for years with Jack Benny on The Jack Benny Program, television appearances, commercials, and NBC specials. He appeared in 22 episodes of The Jack Benny Program between 1961–1965 and often served as a stand-in for blocking shots due to a similarity in appearance. The show earned 20 Emmy nominations during its run and won seven, including two for Benny himself and one for Best Comedy Series.^[23]